Info

shenxinstudio@gmail.com

 

recent and forthcoming
Rijksakademie van beeldende kunsten, Amsterdam 2018 – 2019
Sliced Units, CFCCA, Manchester (solo) 11/05/18 – 01/07/18
Emerald City, K11 Art Foundation, Hong Kong (group) 28/03/18 – 31/05/18
Contemporary Art Lecture, The Slade School of Fine Art, London 21/02/18
Middlesbrough Institute of Modern Art, Middlesbrough (solo) 17/02/18 – 03/06/18
2018 Triennial: “Songs for Sabotage” Artist Panel Discussion 15/02/18
Songs for Sabotage, New Museum Triennial, New York 13/02/18 – 27/05/18
CONDO with MadeIn Gallery, Project Native Informant, London 13/01/18 – 11/02/18
Frontier, OCAT, Shanghai (group) 30/12/17 – 11/03/18

 

works
Warm Spell, 2018 (in production)
half-sung, half-spoken, 2017
Provocation of the Nightingale, 2017
Forerunners, 2016
Strongholds, 2016
Forms Escape: Prologue, 2016
Shoulders of Giants, 2015
The Gay Critic, 2015
Counting Blessings, 2014
Records of Rites, 2014
Snow Country, 2013

 

texts
New Museum Triennial, Songs for Sabotage, Alvin Li, 2018 (EN)
New York Times, New Museum’s Triennial, Hilarie M. Sheets, 2018 (EN)
YAC, Interview with Abi Mitchell, 2017 (EN)
AQNB, Interview with Human Poney, 2017 (EN)
The Art Newspaper, Interview with Lu Mingjun, 2017 (ZH)
Frieze, Quilting Points, En Liang Khong, 2017 (EN)
Salt Projects, The Non-hermetic, Shen Xin, 2017 (EN, ZH)
ArtAsiaPacific, Strongholds, Andrew Stooke, 2017 (EN)
Lychee One, Strongholds, Gary Zhexi Zhang, 2017 (EN, ZH)
Artforum Critics’ Picks, At Home, Zian Chen, 2016 (ZH)
Surplus Space,《在不在家,还是身首异处》, Gu Ling, 2016 (ZH)
Randian, Artist Profile: China, or Post-China?, Liu Na’ou, Issue 3, 2016 (EN, ZH)
Axis Web, Kirsty Ogg Selects, 2014 (EN)